Oh, dear reader, what can compel me to share the tale of what this man saw when I know how horrible it is when related, and what a giant mistake it is to take it so lightly to describe it in prose? Can ever written communication be taken in any light but that illuminated by the reader herself, and what human can see what this man saw as I relate it without the eyes of an animal? For all of us see as animals–bristling skin, beating heart, rising temperature–and you and I would shudder to know that we who observe the observer of the observed are cyclically imposing ourselves on the ravaged. How could this person–the object of deadly inhumane cruelty–be completely forgotten in our telling? It is because we all see ourselves–man and woman alike–as possessors of that victim.
How can I aver such specious diddle-daddle?
If it were not for the reflection before him, Narcissus would simply be another man who disliked people who liked him.
“Since I already have what I give,” N-man said, “since I already have it,” he has this way of repeating himself, “what do I think of you who wants it? If you don’t have it, and I know it through and through, then what do I want with you?”
High opinion, low opinion, so?
“As in, if you think I’m beautiful, then the tale you tell is old and stale, and the tale, therefore, is not worth hearing.”
And if the tale is old, and if the tale is stale, then the tale, thus stated, must have been told, and the hearer of it was he.
As in, Narcissus must have had a mirror. And what he saw was plain. Always plain. Always owned. Always normal.
And what do you do when you think of yourself as less than? Image up. Image up baby. Put on some funky lipstick.
What happens when this image, programmed, conjured, reflected, and disseminated, is seen from afar as the object denied, the vision refused, the tale untold, the prize unclaimed…because, you know, lipstick is lipstick?
“For my eyes, you say, are not your eyes, I see, and our minds, therefore, work together to place a Thisbe on the opposite side of Pyramus’ Demonic Hate.”
They know what they are doing. They do not see it as an animal. They see it as dead. As unworthy. As flawed. As evil.
And, as I said, do you feel how you and I tiptoe through the bushes to see what that man saw? If I told you what he heard, and described his horror…
Hell, if I said, “nails on a chalkboard,” you’d feel more horror than if I related this tale in anyway whatsoever.
Let it remain that way then. No description. Just the horrible act committed and left to be sorted out by those who never heard the tale.
And though you reject this conclusion as a storyteller’s whimsy, let me tell you that it is I that sees he that sees them that sees her, and even at that distance, I cannot help but wish they were all me. I cannot see the horror. I cannot feel the pain. I cannot understand the nightmare. I do, as we all do when faced with another’s nightmare, have a distinct lack of empathy. She who was blocked from his vision by many jumping excitable bodies. She who was shielded from him while he stood on in shocked paralyzed arousal.
There are some acts of cruelty that are so painful to watch that we are compelled to watch until we are thrust away by our own deep refusal to believe in what we witnessed for ourselves. And this man carried this moment with him as he watched them leave. He stood there in silence hoping that he would not be witnessed. He moved not a muscle the entire time, and even she could get up and walk away while he stood dead to the moment and tried to shut his mind off cold dead off but it would not stop.
You cannot stop corn from growing when you’ve planted corn. You cannot stop oil from flowing once you’ve drilled a well. You cannot stop the sun from shining when there are no clouds and you are standing outside. The moments’ thoughts are the product of a lifetimes’ habituation. And he, in all of his life, had seen lipstick lipstick lipstick.
In short, you would be shocked to know that this man, and you, and I, and all, would first identify with the rapists.
And describing her pain would be futile, because I can already feel your blood burning, and it is not because of fear, anguish, or horror.
Because what I want is for you to feel what she felt.
I want you to be strapped into a car that has flipped over and your arm is broken at the shoulder, and you are wrapped in the seatbelt that was supposed to save you but now pins you helplessly as you think you smell burning and you cannot pull your way out. And the metal of the door is CRUSHING your ribcage, and the people in the front seat are silent and bleeding on your face, and you cannot breathe because you cannot move your neck and you are choking on their blood.
And from there, from that fear, from that disgust, I want you to see 6 men come toward you with faces filled with hate–hate not lust not desire HATE–and as you desperately try to reason somehow by saying something in someway you have absolutely no control over what is happening to your body because you are SHOVED and sent flying through the air, and you hit your head hard, and your vision blurs, and an indescribable pain shoots through your shoulder as you are pinned to the ground, and you think you are screaming, and as the car burns and the world burns and you burn you fight the horror and the nightmare and the sickness by pulling pulling pulling away so hard that you think you’ll detatch yourself from your own body but no matter what you do there is that seatbelt holding you there and you cannot break free and you cannot speak because you are choking and the smell of a hand pressing so tightly on your face that you think your teeth are breaking and if you could you’d use your spine and rip out of this place, off the earth, out of the mind, gone forever from this searing HORROR NIGHTMARE and as you burn you die a million times and nothing ever again will look the same because you will see only HATE from those eyes, everywhere, all the time, in every eye in every face in every gesture in every crude walk up and what’s up and you don’t know where to go or who to tell or what is wrong with your body because you hurt basically everywhere and you weep and weep and weep and weep and you don’t know if you can stop ever again and who can you ever tell and was it even real and what the HELL HAPPENED TO YOU!?
And after all that, there is a man who saw the entire thing and didn’t say a word, and didn’t make a sound, and didn’t approach you, but just watched and watched and watched–paralyzed.
And maybe, after all that, maybe you see just for a moment how tremedously EVIL, AWFUL, and TERRIBLE is the narrator who dares to relate such a tale.
And I have done it, to my own dismay, because I love that woman with every ounce of my being.
