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Archive for February, 2012

The Eep that Won’t Eep

February 28th, 2012 No comments

Sounds the ear cannot hear
Sights the eye cannot see
Feelings the body cannot feel
Smells the nose cannot smell
Tastes the tongue cannot taste
Nor body shape
Nor stomach churn
Nor love embrace

A Projection
Device
Of most
Prestigious skill
And Maniacal Secrecy

Selling to you
Constantly
And the most
Entertaining
Of all the jesters

Provided to you
By your humanity

Your mindy mind
Is really a unique
Little painter

Ain’t it

And you
As Able to Be

Reading this

Have one up on it

You are not
Beholden to
It’s games

If you practice

But it is still
A major player

It is yeah

Rocking a .400 or better

Most lives

And that’s pessimistic

12,113.

February 25th, 2012 No comments

Nerve
Thing
Flick

N’ hiccup

And

Sunlight

Mornin’

Discord

Scabs and Sam

February 21st, 2012 No comments

To be quite honest with you, I think Sam is disgusting.  I mean, growing up in this wacky place is probably not that great for anyone, but, like, right now, I’m wishing that the creepy little fucker wouldn’t pick that scab on his knee and throw the scraps all over the floor of the living room.  I feel this so intensely that I want to throw the bowl of grapes I’m eating (blue flowery ceramic!) at Sam’s head.  But I don’t, and won’t, and never have, and that is what makes me special:  this amazing ability to control myself even as I can see the kid peering down over to the lee side of the knee, half curled up, other leg kind of crooked with the cuff of his jean leg all pushed up having caught on the edge of the broken and raised hardwood floor that we will never be able to afford to fix Faith being such a low wage earner, this ability to control myself is like one of my most amazing qualities, and thank you very much for noticing that I didn’t even ask him to stop.

But I’m not Hercules either, and I know that he’s in the living room, and I’m in the kitchen and that’s far away, but I can still hear him and see him, and something has to be said, so I ask Sam, rocking back a bit in my chair while leaning in toward the grape bowl, “Why do you think Faith has bruises?”

Sam does not look up.  “What bruises?”

“They’re all over the place.”  I imply, “Duh.”

Sam doesn’t say anything; he’s practically rolling over his knee to see what is on the other side.  I’m guessing he is trying to see underneath the lifted edge of the scab because his arm seems to be trying to pull him over the knee and raise the scab up and off all at once, and I wonder if he can see blood coming out of the scab, kind of slowly filling the gaps, or white pus, some stuff I remember from when I used to pick and pull and test the limits of those things.

And despite the fact that I may have done that when I was a kid, you know, picked my scabs, he’s flicking the shit all over the apartment, and I’m not wearing shoes, and I’m totally out of mind disgusted.  I look deep into the table that I’m sitting at, peering as if I can see the underside of it from the over-side of it.  I say more loudly than I normally would, “Do you think she is a masochist and is not telling me?”  I’m doing everything I can to calm down, even though practically all of me wants to turn the table over and scream at the top of my lungs.

Sam doesn’t say anything, either not understanding the question, or not caring to respond, and that doesn’t help because I take his scab sounds as tacit disdain.  “Do you even know what a masochist is?” I ask, gripping a grape so hard that it flies off and down and to the right somewhere to the front-door side of the kitchen.

And the sound!  His fingernail losing it’s grip on the edge of the scab is making this tiny flick! flick! flick! sound as Sam coaxes the scab up and up and up. I don’t know why I don’t think it is my right to grab his hand slam it on the table chop it off and be done with it once and for all.

“Sam do you think she is doing it on purpose or someone else is doing it not on purpose?”

“Whatever, don’t know,” he says.

I can never get through to him.  And something about the sound of his scab-picking makes me eat the grapes in front of me obnoxiously.  I take all sorts of time slurping, lip smacking, sucking, and chewing really dramatic-like almost in danger of getting flaps and scraps of grape flesh and pulp all over the table and everywhere.  And I’m pretending like it is normal.  I think this has made him pick louder, so I eat two grapes at a time, and masticate orchestrate all over the entire kitchen, but I’m disturbed by the fact that I can still hear that goddamn flick! flick! flick! that I get up and start washing dishes, and I turn the faucet all the way up, so high that the pressure makes the water splash everywhere, and it is entirely too tepid having turned both the hot and the cold all the way up, super powered mediocre water temperature washing water stream still being able to hear the flick! that is driving me nuts is not helping me get over the feeling that the kid intends to make me crazy, and I feel like exploding out of my skin, I have like these shivers and something crawling itchy etc, but I will not, I say, I will not tell Sam to Stop, because that is not who I Am.

“You’re getting water everywhere you know,” he says surprising me with his sudden proximity.  I didn’t hear the scab sounds get closer or notice that it had stopped.

I’m too proud to turn the water pressure down, so I wash and splash and keep my face forward and water all over be damned.  Someone is going to learn a lesson here, I think, I think.  When I’m done, I turn around and pat my wet hands with a dish towel that was wettened by being subjected to my water splash wash and is not drying my hands at all but dripping, and despite that I continue unabated and unabashed with the drying, ineffective though I may be and not admit.

And there, about 2 feet below, on his right knee, a half picked, partially bleeding, partially white, and brown, and red, and soft and hard scab.  And this scab is growing this scab of scabs kind of like a kid’s sculpture of the pain that was and he doesn’t seem to feel it, but I’m staring at it wondering why he did that and how he is not screaming, this mountain-scab creation shifting and threatening to fall off and scab fill the floor, the kitchen floor, where dinner is made and eaten.

“You’re going to clean that up, right?” he asks.

How can anyone stand to go through that, I think, but I don’t know what I mean, whether it is him, or me, or Faith and her bruises and he walks off.  I remember for some reason that the itching is more than the pain in that scab picking world.  The itching and the pain and the discoloring and the crevices and the snaps and buckles and pops and discharges and flaking and shedding and deadening like that one ugly grape in the bowl that I will never eat but if it is hard and has a little canyon and some mystery it is somehow also fascinating, and suddenly I want my own scab to pick and trade pieces with with Sam, and a hole in my body so I can see it all bloody and shifting and pus-filled and gross and bugs in there but bruises are a different story.

You can’t pick bruises, or trade them, or drop them on the floor sullying the kitchen, they are, in fact, clean, the cleanest way to bleed, the most sanitary, but they do itch, and they do turn brown, and they disappear, and if they are not too bad, they are kind of fascinating as well.  But it can also be trouble, because there is all this bleeding underneath the skin and who knows where it is coming from, what has been injured, like is it your heart or your lungs or your liver or muscles, and who has done this injury, you just bumping something, or someone beating you up, or did you hit yourself one too many times, like the bruise has it’s own story to tell, but the mouth and brain and person is the proxy for all injury-stories and that is the problem, right there, unless you have like an in with the bruise, and I don’t know where you’d get that but medical school, and I didn’t go there, and Faith is such a pain in the ass to get any information out of.

So like while trying to get the water (cleaned) up, I decide that I have to find out not how it feels, or where it came from, but is she worried about it.  That’s it.  Good pain, good bruise or bad pain, bad bruise.  That should be easy.  Ask her something like, “Ooo.  Can I pick that?”

Monstrous Calumny

February 20th, 2012 No comments

The peach

Somber
and Fuzzy

Says

I’m an apple
Not a tree

Fuzzy Peach

Fear

February 13th, 2012 No comments

Fear
Explodes

Pew pew

You Hide

Wah wah

Looked at
Like that
When I’m not
Doing anything
Wrong

Sheesh

Cats know
Better

Dey ain’t scared a me

It’s

Like

I’m Black

Or

Something

Like

That

(>_<)

No offense

I hope

Insight
Mid-poem

And all that

Sam-a-Rama-Dang-Long

February 11th, 2012 No comments

I am building a fountain.  There is a 5-year old helping me.  Kid’s pretty good as long as you give him something that he can do and you feed him and give him water.  Kid’s name is Sam.  You have to throw a ‘good job’ his way every once in a while, and make sure he’s not getting sunburned.  In addition, you have to give him a real goal, not something generic like ‘guard the fountain’ or ‘go play’ because the damn kid is going to get confused and not be able to articulate the fact that he doesn’t know what or why or how you want him to do it, and he’ll act out, and you will think you were smart to give the child idiotic directions to keep him busy because he would be so much worse if you didn’t, but the only reason he’s upset is because he doesn’t have the words yet to articulate the idea that you are the idiot, because your instructions were so stupid, and that is the only reason you win the battle.  So give him something, like, which I did, a piece of sandpaper, and tell him to make sure that every part of the fountain is smooth, because that actually needs to happen, and the kid is then integral to the experience.

It’s granite.  The fountain.  Rather large.  Grey.  The granite is bumpy and old; therefore, the sandpaper and Sam.  The fountain is sitting there in this backyard we are occupying.  And I suppose it was a bit of a lie to say we are building it.  We are more like building upon it.  Faith is sitting there on a bench, and for some reason I’m really angry with her, and I wish she’d do or say something because I don’t know if drilling holes through granite so that a multi-leveled aviary maze can be attached is a good idea, but if she’d tell me it was, I’d feel much better.

“It’s a good idea,” Faith says while examining at the unpainted nails on her left hand, “I just don’t know if you have enough time.”

She has a point.  We’re waiting for K-Box to get back with some food, hoping that the people who own this place don’t come back before she does, because we’d have to up and leave, and how then will we find her (having left and having left no forwarding address because we cannot exactly leave a note for obvious reasons and besides we don’t know where we’re going)?  I’m not going to worry about it because K-Box always comes back just in time, but Faith worries because she thinks that K-Box dawdles and is going to get raped (dawdling and rape not being related).

“Not questioning the aviary-maze,” Faith adds.  “As I said, it’s a good idea, if not exactly the right time.  It’s just, K-Box, you know, why does she have to go?”

My brow furrows despite my intention to stay calm.  I say, grumbling, “Because she’s small and innocent looking,” and I make it clear that I’m done with my response.

The kid, by the way, Sam, you know, is happy, or at least I think he is because all he asked me was “Is this smooth?” and I told him yes, and good job, and told him that we’d eat when K-Box got back, and he kept on working, and so did I, because I’m not going to be upset or worried about things I cannot change.  Besides, birds need something to keep them busy, you know, when all you have all day is flying and searching for food, why not have a three dimensional maze to make bathing more exciting?  Moreover, rather than trying to pretend like we don’t exist, I think it is a better to show people that we do exist, and we aren’t bad, or smelly, or useless, because, look, I’m building a bird-maze for them, and I’m taking care of their kid to boot, so who can say that what we’re doing is wrong or nothing because there it is, the aviary maze in your backyard and your kid ok and happy?

“What if K-Box gets raped?” Faith asks. 

You can’t get her to shut up once she starts.  I just want to build the fountain, and be left alone, and wait for K-Box because I know she is going to come back.  I try and change the subject by ignoring Faith completely and telling the kid that he’s doing the most amazing fucking job I’ve ever seen ever for someone who has never sandpapered a granite fountain before, but even on top of that, it is the best damn granite smoothing I’ve ever seen done, and I bet it is the best in the world, but even that doesn’t stop Faith.

“You know, it always happens with smiles and poking,” she adds.  “It’s grotesque and awful because they seem like they are having fun the entire time, while you are paralyzed with fear out of your mind.  And for them it wasn’t rape because it was good, and if it was good and fun, how could it be bad?”

Calmly, so as not to cause the inevitable spiraling into fear that cannot be dealt with, I say, “K-Box knows what she is doing.  She’s heard your story enough to know how to strike eyes and cut balls off.  Because she knows this, she looks like she knows it.  She stops it before it even begins with what’s behind her eyes.  If you keep the match from lighting, then there’s no bonfire, right?”

The kid asks for some water.  I ask him if he knows where the cups in the house are.  He nods.  I ask him if he knows how to get the water and put it in the cup.  He does.  I say, go ahead, and he says that he’s scared he’ll break the glass, and I tell him, you’ll never learn if you don’t try, so just do it, and don’t break the glass.  He goes, and I’m sure he won’t break the glass, and if he does, oh well, he won’t next time.

“I like you better when you sit around and sulk.” Faith says.

“No you don’t,” I reply.

“Yes, I do.  It gives me more to talk about.”

I realize that it is just she and I.  She calms down when it’s just us two.  I wonder momentarily if it is my fault or hers. 

“I miss hiding,” she says quietly.

I’ve told her a hundred times that we are not dead, we are not invisible, we are not lazy, we are not unproductive.  We have to do something to pay back everyone.  It’s better than hiding from it.  Hiding is the worst.  The WORST.  Besides, our bodies just atrophy when we crawl into a hole.  We have to get out there.  We have to make it happen.  We have to move forward.  I’ve said this before, a hundred times, so I don’t say it now, I get further involved with the wire maze.  I wonder if the maze should have one path, or many, because do birds have enough brain power to get through a three-dimensional maze even if there is only one way through it.  Will they even see the wiry milieu as a ‘maze?’  I think one path will do.

“I’d like to be the kind of person who agrees with you on this, but it seems so hopeless.  She’s probably getting raped right now.”  It’s so hard to focus.

It’s my fault.  It’s probably because I make K-Box ‘give thanks.’  It takes her longer to get back. The probability of rape increases with time.  Snowball-effect.  But, I operate this way because the body thrives on escalating challenges.  The mind rests easier when you Do The Right Thing.  You run farther than you ever have one day, and your body will be ready for more the next day.  And if you do something Right, you will do more things Right.  Habituating and ritualizing escalating challenges and Right actions is what we have to do!  By God, I woke up this morning without an alarm and found this spot by what felt like 9am!  And something has to be said that none of us are smoking, or drinking, or using crack, or heroin, but just doing what we do, and eating whatever we can eat, and for the most part I’ve trained K-Box to steal vegetables and fruit, and her manner of giving back is quite funny at times (one time she set a case of ramen noodles on fire and the people in the supermarket, employees and customers, got a whiff of that awful burning styrofoam smell, and saw that for some reason or another those dried ramen noodles were like igniting as if they had lighter fluid thrown on them, and all of them, employees and customers, decided not to touch ramen noodles anymore).  But Faith gets all worried because I make K-Box take the long route to stealing, when she could just take stuff and run, but I can’t imagine her grabbing some gummi bears and calling that dinner, and, besides, K-Box is hardcore, and what other way is she going to put her creativity to use I ask you? 

The kid comes outside without a glass.  I ask him if he got some water.  He says yes.  I ask him where he put the glass, and he says in the sink.  I tell him good job.  I wonder for a moment if he called the cops but is a five-year-old smart enough to call the cops and then come back out pretending like he didn’t?  I don’t know.  That is why I focus on this thing that I’m doing.  That kind of paranoia sneaking into my mind is exactly what I don’t need right now.  I tell the kid that I appreciate his help, and say we have a little bit more to do here, and if he comes on this side of the fountain, I’ll go to the other side now, and I tell him to make sure that he doesn’t miss any of the parts on the upside of every curve, the parts you have to look up at, the parts you have to crouch down for, the parts no one is ever going to see, the parts that you practically injure your neck looking at, no less sanding, and he nods, and is fine and dandy thank you very much.

That kind of ‘yessir’ attitude gets me focused again on the aviary, but then Faith interrupts things by saying, “I’m going to go find her,” and then disappears through the house.  I pause everything that I’m doing and kind of just stare obnoxiously down and to the left with my head cocked.  I can tell you this, because I see how ridiculous it is to pause everything as if to say something like “what the fuck?” to Faith, when she is not there, and the kid is practically underneath the fountain so he can’t see it either.  I look like a drama-queen.  Embarrassed, I think I should get revenge by yelling at her to use the back-gate in the back yard we are in as loudly as I can, but I don’t want the neighbors to hear strange voices screaming, so I don’t do anything but stare. 

And I can’t tell her everything anytime I think it or I know she’d leave, and I really need her here, because I don’t know how I’d cope without her, and I wonder if that is something that I should get over or not, which is an after-thought, but the truth is I don’t know what I’d do without her, and that scares me a bit, so I think to myself I had better keep my mouth shut.

I also wonder if conscripting this kid into my fountain army is a good idea.  I question the Right-ness of it all.  I mean, wouldn’t people be angry if they knew I put a child to work?  Shouldn’t this kid be out there playing?  But isn’t everyone just a little too worked up all the time thinking that life is only pleasurable if there is playing going on all the time?  I mean, I’m here, building a fucking aviary maze, and I think it is a just fine and dandy way of spending a morning/afternoon.  However, I admit, I’m getting a little wound up, and it might have to do with the maze I’m making not working out so well, and Faith leaving, and the moral implications of child-labor being my idea of a good time, so I ask the kid if he wants to run around for a second just to get some of the frustration of building a fountain out, and he says ok, and I tell him that we’re going to jog at our own pace and it is so nice to not have Faith here asking me if this is a good idea or why am I doing this, because for some reason this kid just gets it, the why and how and what, but he doesn’t know how to say it, and that’s ok with me.

The running is pretty slow, and the backyard is small, but we don’t care, because going in circles feels good.  I think about slugs, and wonder if slugs like to just move in their own way, you know, slug-jogging through life because they have to get the kinks out.  I think about Faith and K-Box running away from someone trying to rape them, and I wish I hadn’t thought that because it makes me scared, so I think about how thinking right things and wrong things are just things, and it isn’t real, so it doesn’t matter, and what else would you think if someone had just–twice–mentioned out-loud that she was worried about K-Box and had run off because of rape and all.  Some of these thoughts run over each other and repeat each other and eventually I notice that I’m breathing hard.  Unlike everyone else, I know that running like this will not kill me because my body will adjust to spite me and say, “You aren’t going to kill me this way!” so I keep it up.

The kid is much slower than me, but I don’t slow down for him.  We are going in circles, remember, and he’s never out of sight.  And we’re just running.  First the kid was sanding granite, and now he’s running, and for a kid who, all alone at home, has to deal with three strangers coming into his backyard and telling him what to do, he’s doing a great job of it, and thank God it was us who came into his backyard, because, as Faith would tell you, there are some messed up people in the world, and running won’t kill you, but knives and rape might, which is why I am running here, and Faith is running somewhere else, all three of us running all the time, and our bodies keep smiling and saying, “Good fucking job.”  Yes, a good job, here, I’m doing, of keeping this kid busy.  I keep expecting something to go wrong, like the kid crying, or the kid complaining, or the kid wanting, or the kid whining, or the kid dying, or something, because too often people tell me I’m wrong, and evil, and terrible, but I don’t think I am, because this kid looks normal and peaceful, and just kind of living for the swing of things running along, and that is good for him, you know, to be calm and happy.

So, you won’t be surprised to hear that I decide that the best thing for Sam and I to do is to go looking for Faith and K-Box, because if there is rape happening, it is best if we are there to hit the hard, bony parts with even harder solid things, because boys break bones, and girls tear flesh, and a combination of these things is bound to end rape as we know it in this world, and because Sam and I are already warmed up, we can get to the trouble-spot in the nick of time.  And Sam is just happy as hell to run through his house, jog with me down the block, and far, far away from the home he knows having left the door open and the fountain near-complete, and, by the way, I remind him that he did a wonderful job.

I swear to you, if he asked me to, I’d bring him back.  But he seems content.  Anyway, that day we found Sam, it turned out that K-Box got a feast of apples and cucumbers, and told us the tale of how she gave back by opening up one of those big crates of bouncy balls that you hardly ever see anymore, and all the people there played with the balls, even the employees, and laughed together as no one in the store thought that stopping it was a good idea at the moment.  And I say, if there is Justice in this world, then it must know that I think I’m doing a pretty fucking good job considering what I could be doing, which would be raping people and smoking crack, and so could us all.

Besides, why was that kid all alone for so long?

Cup of Tea

February 7th, 2012 No comments

Drip.  Drip.  Drip.

And then I remember that tea is not made like coffee, and I soak up the mess like so much spongy wild mist, and the tea is good to drink, and I contemplate dead plants.

You get old, and you fear death, and you chase God, and you put on a big show of it, and you want to escape, and you treadmill-repeat the same process.

Get, fear, chase, put, want, treadmill-repeat.

Except, in the middle of that, you, wild-eyed, don’t know what you are like at 50% versus 100% because you constantly keep yourself at 50% and just call that confidence, your brain melting, your responses filled with these dead, empty pauses, the kind where you wonder if the person you are speaking to has a broken cog, and you tell me that it has nothing to do with the pot you smoke, the beer you drink, the food you don’t eat, the exercise you don’t do, you are like tea, you pour water over you in the shower, and then you are brewed, so cute that idea, but I don’t see my tea saying anything 100% anytime soon.

Questions like:  Is there anything else that is bothering you?

And like the shower, you shshshshshshshsshs.  Black and white channel 12 popcorn shshshshshsshshshshs.

That wild-eyed empty gaze, the I’ve-left-this-planet stare, the morose, jumpy, cynical look of the hippy-hoppy rabbit that stayed up too late.

That’s you!

: ) ! 

They forgot to tell you, when you said it’s not that bad, that you inevitably would see the world this way.  You would acquire could-you-say-that-again.  You would perfect world-does-not-make-sense.  You would practice what-the-hell-did-they-say.

M-U-T-E-D.

Like a hazy, multicolored cut-yourself-lose-and-forget that dear-guilt area of the brain: you don’t know the word for it you think.

And then, like tea, many varieties. 

And then, like tea, many colors.

And then, like tea, extra time.

And then, like tea, silence.

And then, like tea, shape-cup-dependent.

Because our dear bodies

So good to us

Just keep on going

No matter what we do to them

But you are down, like 50%, and you can’t tell

And your brain knows how shocking it is to see

This you

So your brain got deny-everything orders and follows them like clock-work.

And you can’t see it.

Hmm.  Sing a little, I guess.

S You Cn Sea, Signed You No Who

February 4th, 2012 No comments

Didn’t mean to fall asleep.

. . .

Get up.  Out of this chair.

Take it easy.

The floor is dusty. 

No it’s not. 

Have things to do. 

Take it easy.  E-A-S-Y.

Like sweep the floor.

The non-dusty one?

In the morning, I work.

On what?

Or it’s too late.

For what?

I have to eat.  I wake up with tremendous headaches.

. . .

Food.  Raisins.  Toast with jam.  Coffee. 

Butter.

I pee while the coffee is brewing.  I wonder where she is, but I’m used to that.  Water on my face is refreshing.  My nose is very large this morning and I wonder why.

. . .

My mood is largely based upon what I do before dark. 

Eat.  Come on.

So I plan.

. . .

Meticulously.

No you don’t.

Coffee takes a long time to brew.  I read the news.  They made abortion illegal.  Saying if you don’t want it, we’ll take it.

It.

I want to get her pregnant.

. . .

Or did want to.

Did.

I love her.

. . .

But she’s not here.

Coffee’s ready.

Coffee’s ready.  I put too much sugar in it.  I imagine raisins floating in the coffee.  The doorbell rings. 

Oh boy.

I spent my life jumping up opening doors.  And hoping.  Always hoping.  I’m not doing it anymore.

Ring.

Go away.

Ding.

Go away.

It keeps ringing.

I can feel my brow making a ‘V.’  I’m 6.5 centimeters closer to my coffee than usual.  I put raisins in my coffee.  Heh.

It’s not funny.

The doorbell rings again.  I don’t move.  It could be anything.  By that I mean any version of nothing but disappointment.  I’m not answering it.

. . .

Rings again.

Get it.

I imagine myself on a boat waiting for the fish to leave.

. . .

Everybody’s got an opinion on everything.

No they don’t.

. . .

. . .

. . .

It stopped.

. . .

. . .

It could have been her.

Idiot.

Coming back to me.

Idiot.

I clean up breakfast and finish my coffee. 

It wasn’t her.

I wonder if the bell will ring again.

Think about abortion.

Early adoption.

Very early.

Life saving medicine.

People are going to do it no matter what, so what’s new?

We could have a baby.

. . .

If she ever comes back.

. . .

I miss her.

. . .

I love her.

. . .

Knocking again.

At the back door.

I wonder what she’s doing.

Knocking.  Hey.  Knocking.

I wonder where she is.

. . .

If she’s coming back to me.

. . .

. . .

Still knocking.

. . .

Back door.

She’ll never come back.

. . .

She said so.

Back door.

It’ll be a big ol’ disappointment.

. . .

But maybe I should open it.

There you go.

It might be her.

. . .

I open the back door.

. . .

. . .

. . .

Who is it?

An older woman is staring at me. 

. . .

Younger than me.

Who is it?

I invite her in.

What does she want?

I offer her coffee.

Who is that?

I take her coat.

It’s cold.

I haven’t been outside in a long time.

. . .

She says I know her.

. . .

I want to pretend.

. . .

That it’s her.

. . .

Because it’s not.

. . .

But I want it to be.

It.

That smell.

. . .

I miss her.

Have another cup.

She thinks I’m sad.  A sad old man.  She’s going to leave again.

It’s not her.

Look at these hands.  Ugly hands.

It’s not her.

She hates me.

It’s not her.

. . .

It’s not her.

It’s not her.

No.

Then who is she?

. . .

Does she want more coffee?

Ask her.

Someone who once knew me, she says.  Someone who meant something to me.  Yes another cup of coffee thanks, she says.

. . .

A long time ago.

Get more coffee.

I tell her I remember her.

. . .

But, I don’t. 

. . .

I’m tired.  This is why I should be working.  Soon it will be dark.

Less sugar than last time.  Remember.

I don’t remember what I’m doing.

Getting coffee.

And I remember she said something about importance.

Stop pouring it.

I’ve been listening to her practically not at all.  I can’t seem to.

Stop pouring the sugar buck-o.

Who is she?

. . .

I once loved the most amazing woman, I tell her.  A dancer.  Beautiful. Intelligent.  A real knockout. 

The S-U-G-A-R.  Stop.  Pouring.  It.

Are you she? I ask.

Stop.

Do you want more coffee?

. . .

She’s getting up.

She’s going to see how much sugar you put in there.

Why is she touching me?

Waaaaaay too much.

The sugar.  I’ve poured it everywhere.

Sheesh.

I hastily search for a broom in the closet.  I find it.  I come back.  I sweep.

. . .

After this, I’ll finish my coffee, and I’ll put away the raisins, and then I’ll start working.

. . .

“Hey.”

. . .

I’m sweeping.  I don’t want to be disappointed.  I miss her.

“Hey.”

I’m not doing it anymore.  Always a disappointment.

“Sam.”

She grabs my right arm.  I barely hold onto the broom.  I stare at her.  I feel my arm shaking.  She’s holding me too tight.  Her eyes are green.  She smiles sadly.  I wish I could remember what she said about importance.

. . .

. . .

. . .

Who is that?

Who is it?

“Sam.”

WHO IS IT?

“Good bye.”

She’s leaving.

Who are you? I ask.

“Thanks for the coffee.”

She leaves.

. . .

I’m holding a broom.

. . .

. . .

. . .

Sugar everywhere.

. . .

. . .

. . .

I miss her.

. . .

. . .

. . .

In my kitchen.

. . .

. . .

. . .

Talking to me.  She laughed a lot.  What a smile she had.

. . .

. . .

. . .

She left.

. . .

. . .

. . .

Was it her?

Time to go in.

WHO WAS IT?

Time’s a-wastin!

My heart is BREAKING!

Coffee, check.  Clean-up, check.  Next!

GOD HELP ME I WANT TO REMEMBER!

Put the broom away.

I walk to the back door.  I open it.  I look out.  She’s gone.

Put the broom A-W-A-Y.

She’s not there.

PUT IT AWAY!

What a stupid old waste!

The broom!

When can I finally die!?  When?!

. . .

WHHHHHEEEEEEEENNNNNNN?!

. . .

. . .

. . .

I think about killing myself.

. . .

. . .

. . .

I cry.  I don’t know why.

. . .

You should see me.  H-I-L-A-R-I-O-U-S.

. . .

Standing here leaning on this broom crying.

It’s cold.

Very touching.

Go inside and put the broom away.

Very fucking touching old sorry waste of a life man.  My arm throbs. 

Come on.

I imagine her.

. . .

Holding me.

. . .

Cleaning my idiot mess.

. . .

Talking to me.

. . .

Waking me up.  So sweet.  Lips like candy.  Skin soft as fur.  Eyes bright.

. . .

I haven’t seen her in 45 years. 

. . .

That’s a long time.

. . .

She can’t see me like this.  Crying and old and sleeping all the time.

. . .

I’m glad she didn’t come.

. . .

Let’s just go inside.

. . .

No more answering doors.

. . .

. . .

. . .

. . .

. . .

. . .

. . .

I’m sad.

I know.

Who was that?

. . .

. . .

Some woman.

But who?

I don’t remember.

. . .

Inside.

. . .

In. 

. . .

Go.

. . .

I-N-S-I-D-E.

. . .

. . .

I wonder if she’ll come back. 

. . .

Feels like I opened a present and there was no one there to thank.

. . .

She Doesn’t Know

February 1st, 2012 No comments

Schchchchchchrrrrrchch
Schchchchhchhrhrhrhch
Schcchhhhchchchhchhc
Schchhchhchchccccccch
And on
And on
And on

So easy to hide
My hateful
Soul

Nice job

Me

PS.  Due a missing present, this poem has been cancelled.

Posthumous Petulance

February 1st, 2012 No comments

Just so you know, I am the prosecutor in this scene.  I’m wearing a suit.  It’s lovely.  I’m wearing a purple shirt.  Lovely.  Black tie.  Black suit.  Lovely.  I look lovely.  I’m prosecuting something, and Faith is on the stand.  She is on trial.  I guess you could say I’m prosecuting her, on behalf of someone else.  That someone knows who she is.  She is sitting at a computer watching the entire thing.  We’re going to get to the bottom of this.  She and I.  Watch us. 

Thing is, Sam is the judge, and to update you on the current goings-on in the courtroom has just said, “I don’t want to do this anymore.  Why do I have to do this?” to which I replied, “May I approach the bench your honor?” as a formality, and then, low and behold, in comes No-No, affectionately named, and throws a book at all of us, thinking that throwing books is going to get us somewhere, which it isn’t because this is MY courtroom.  But the book she threw is a good one, and I consider for a moment sitting down to read it, and asking her if she wants to join me in a brief two-hour silent reading date, but I don’t because my underwear is too loose, and I finally tell Sam, “Shut your mouth Jupiter, and just sit there or BY GOD I swear that I will keep you out of my writing for as long as I live!”

A brief shudder passes through the audience, which is solely made up of robot versions of you.  If you are sexy, so are they.  And I can make them robot-fuck each other if you are not quiet and just sit there like Sam is supposed to. 

I launch back into the drama:  “Your Honor.  We are here today to discuss the nature of Faith being a completely predictable character.  I would like to approach her leg if the court permits.”

Sam spits in my face.  Stunned for a moment, I wonder about reincarnation. 

Then I resume:  “Faith, how do you answer the accusation?”

Faith:  “What the fuck kind of court is this?”

No-no approaches Faith, carrying yet another book under her arm.  I object.  Sam asks the room if anyone understands the objection.  All your robot selves play this prerecorded response:  “By Heaven, being here is so much fun.  But without talking about fun, can we at least have a dip in the purd-y pool?”

I shake it off.  No-no has taken up position behind Faith, and is braiding her (Faith’s) auburn blonde hair.

“Those legs?  Where did you get them?” I ask.

Faith seems to have cheered.  “From you.”

“Precisely!” I exclaim. “Did you hear that ladies and gentlemen?  From me!”

No-no asks, “Three strand?  Square?  Guilloche?”

Faith murmurs:  “So fucking predictable, am I?”

Mousetrap Catch you know 11 times 2 and stuff.

Sam:  “Get to the point.  I’m tired of this.”

“My point, your Honor, is this!  Excuse me, is this…”

I forget my point.

“To spell it out,” Faith says somewhat happier now with in-process braiding happening, “he thinks he owns my body because I came out of him!”

Shocks and gasps and etc. all around.

“Woman born of man, so yesterday,” shistas No-No.

Sam, incredulous, asks, “What do you mean?”

I put my hand up in the air to keep the air still.  Everyone thinks I am trying to keep them quiet.  Consequently, I find the silence that has arisen the perfect time for me to explain:

“You see, ladies and gentlemen and robots, within me is this woman.  I know just how she looks.  I know how she walks.  I know what she likes to wear.  I know the click of her heels.  I know the smell of her body.  The feel of her breasts.  She has infected and invaded me and I walk her everyday.  Do you see this PURPLE SHIRT!  DO YOU SEE IT?!!!!”

No-no says, “It’s green.”

I continue:  “To walk, you see, covered in hair when you want nothing more than to be shaved bald clean.  To sleep, you know flat on your belly, wanting every second to feel the press of your own breasts against your bed.  To breathe, you see, with tight bundles of fabric shifting and shaping my body.  To speak, why not, in soft whispers, dulcet tones, high pitches!  To accept and mock and decry and fight against all that must be for I am a Woman (for crying out loud)!  This is where Faith comes from.  There she is, ladies and gentlemen, her hair braided for all the world to see!”

There is another gasp.  Sam shrieks:  “No braids!”

I scream, “That’s right!  No braids!  Do you see that!  Do you see?  The crooked legs?  The wiggly hair?  The lack of elbows?  The head turned at a nondescript angle–something like 15 degrees, but WHO KNOWS?  What do you see?  Do you see that that emerged from my body to leave me here with this cold dead male existence that I loathe?  Or do you see just another non-braided woman!?”

What has No-No been doing up there all this time (while not braiding)?  Permit me a brief respite from the court proceedings.  Sam needs a nap anyway.

You see, it all began with this idea of being present.  I told No-no what being present meant.  She listened as she always does, the nice woman she is.  She mistook my description of being present, though, for being present in court.  All I meant was for her to be present for the loathing that she would feel imagining Faith as I would describe her.  Now, she stands up there not only not loathing, but being the only one in the courtroom besides Sam that can see that Faith is not wearing a shirt nor sporting braided hair. No-no, though she tries hard, and I mean, really hard to be predictable herself, always ends up being in the wrong place at the wrong time.  So she braided Faith’s hair because she was so bored she could have clawed through plastic.  Back to the trial.

Faith’s eyes, right now:  fire.  Like completely pissed off.  Predictable.  Sorry she does not have a rolling-pin to shove forcibly through one of my ears and out the other.  It’s cute.  You can never predict how she wants to kill me.  She doesn’t do anything.  So predictable.  She starts writing something on a piece of paper.  Where did the paper come from?  Very unpredictable.  She sits down and puts on a shirt.  Predictable.  She was writing while standing like that picture you keep looking at.  Unpredictable.  Nothing happens.  Predictable.  Being afraid to read her letter outloud–

“I will read this letter out-loud!” Faith screams.

I am silent.  I expected that.

She reads:  “Dear ladies.  I have written to you today to ask you for help.  You see, I am plagued by this thing called menstruation.  Pain in my fucking ass.  All sorts of bleeding and such.  I am also plagued by this obsessive idiot that follows me around and dreams me his lover because he wasn’t woman enough to be born this way nor to think about menstruation.  So there is that.  And then, damn it all, I am bio-programmed to have to hear about mommies all the fucking time as if I were a Mommy and not a Woman.  And here I am, agreeing with this idiot that if there is going to be one stinking role model in this world for the ladies, then it is going to be me!”  Faith leaps up from her seat, flies through the roof, and is gone.  Very, very, predictable.  (She did that in the last story.)

No-no sits in the chair that Faith left behind.

Sam is furious.  “Order in the court!” he says, “Order in the court!” yelling at No-No, but No-No is not fazed and just sits there expectantly like a fucking sarcastic chiwawa.  So I ask her a question.

“What do you think this is all about?  More or less existential than you imagined?”

No-no cordially replies, “Calm down.  One question at a time please.”

I am nullified.  Beaten.  I don’t know if I can continue.  I ask Sam if I can quit.  I don’t know how I am going to go on without Faith here.  Without a locus for my sexual confusion.  Sam says she can be replaced with robots, and I remember that is something that Faith and I agree upon.  I grow stronger.  I am brave.  I ask a question that quotes a question–predictable.

“Would you answer the first question:  ‘What do you think this is all about?’”

No-no’s reply:  “Posthumous petulance.”

I nod.  “Yes, No-No.  It is about posthumous petulance.  Too little too late when you wanted to tell her all the things you hated about her the whole time but never got a chance to.”

I wonder if speaking of it causes it to happen.

No-No interrupts me:  “Give me a poem.”

I nod.  I wait.  I take in the room.  I say, “Anything for you, my sweetness codified.”

Then:

“Like the glistening ice
On a winter’s ice skating rink
With people who fall
After being on that ice
Who touch the ice–”

That up there is me speaking the poem!

“…and feel there
Something so smooth
Like a smooth-thing
So amazing
So greasy
Like grease from a pan
But better
So luxurious
Like a coat furry
That they never
Want
To
Leave…”

No-No shakes her head in dismay. 

I see. 

I regret ever saying any of it.  She hates it.  All of it.  No-no is bad idea, and I wish I hadn’t created her.  Spent hours here doing this, and I wish that I hadn’t made up a poem or questioned Faith or said anything at all and then suddenly from the rear of the courtroom comes a huge “HOOOOAHHHH!”

Faith enters from the rear of the courtroom, THIS TIME, wearing golden ARMOR.  Predictable.  On her side is a broadsword crested with rubies and emeralds.  She points to No-no and says, “Off with her head!”

The robot-yous light up like fireworks blaring a siren and attack Faith.  The sword flies from its scabbard and sparks rage as broadsword hits steel and steel hits armor.  The room brightens and fires leap to and fro, threatening the safety of every wooden and woven (and woman) object.  Robot arms and legs and torsos and heads fly everywhere; I mourn the sex you could have had with your robot selves; and me and No-no and Sam duck for safety behind a giant plant that I forgot to mention but I’m mentioning now and no I’m not lying.  Clashes and creeks and smashes and smacks and all sorts of metal squeaks emerge, and as we cover our eyes and hope no robot sees us, No-No pees her pants and apologizes profusely.  No one, I mean NO ONE knew Faith would reenter the courtroom with armor and defend against thousands–millions–trillions of robots!

As things must, things quiet.

Silence reigns, as it does, after, you know–God do I have to spell everything out–a storm.

“I have to say,” I have to say and do say, “when you are trying really hard not to be predictable, you end up being predictable.”

No-No responds:  “Courtrooms in shambles after so-so revelations lead one and all to want to save the rest of their night for masturbation.”

I just want to know what makes Faith so predictable.  I’ve never kissed a woman sweating inside her armor, and I would really like to.  I’ve never crawled inside her armor and merged and smashed together.  What is predictable about that?  About wanting to fuck her and be her at once?  Huh?

“Crawl inside me babe.  Crawl inside.”  Faith.  You kidder.  Now why did you have to go and say that?

And then, in the distance, we hear sirens.  Cops don’t like stepping over robot carcasses.

“I think it is time to get our oozy asses on outa’ here,” I offer politely, “All we need is a good ending to this mystery.”

No-No says it like no one else:  “I’d really like to forget everything that was said here today.  I mean really.  Let’s go get a beer.”

I hate beer.  It gives me a headache.  And it never leads to good sex.  What is good sex anyway?  I mean, really? 

“Ooo.  Not in the COURTROOM WITH DEAD ROBOTS!”

“So naughty,” I don’t think.  Instead I think, “I mean, did you READ THIS?”

Get out of the courtroom now.  All of your robot selves are dead.  Faith killed them.  You can thank her later.

And I’ll never have good sex, so don’t bother imagining that you’ll be the one.

Watch the Missing Means

February 1st, 2012 No comments

what was it
the missing mole
the sign you
so admirably
didn’t care
the one beats all
the I can’t hear
the no never now
or the
neverending
silent
me
that only hid
what would hurt?

…what was it?

say something
what?
say something
ok.  la.  la.  la.
QUIET!

.
.
.

…say something…

If only
the track
tread upon
the shoes

then
oh wormy then
so would you