The Lucky Doo-Dad Says What On That Wrist
Faith has this thing on her wrist; it is a bracelet. Where is she going with this instrument of passion? To what individual will she display her trinket? Not I. I am not in this story. I won’t meet her, talk to her, sleep with her, or yell at her (or she at me).
Faith is an attractive woman. Attractive women don’t go places that many people do. They don’t go to pizza shops, they don’t take subways late at night, and they don’t sit alone anywhere but parks or beaches. This may or may not be true for every attractive woman, but, in this case, I have to come up with something for Faith to do, and it makes sense that I do this thing to the best of my abilities if you know what I mean.
It is dark. The moon is full. The bracelet shines. Faith is on her way to the curb in front of her closet-sized apartment. She dare not walk to the subway, because she is wearing heels and a tight skirt. Thankfully, she chose the closet she lives in for a reason; she only has to walk 3 feet from the front door of her building and a cab will appear to take her to her destination. This is why, largely, regular old dudes like me who live up in the hinterlands see mostly tired old men on the subway late at night.
Faith gets in a cab, but you leave me to go around the corner where we have been spying on her and enter her apartment. I have a key to it–don’t ask me where I got it–and you enter it. It is on the fourth floor; don’t get lost. 4C. Go in there. That’s right. Look around. Do you see the clothes everywhere? Want to know where her bathroom is? Her bathroom is back in the hallway behind you. She doesn’t have anything in her apartment but her laptop, which you should not steal, and, of course, dirty clothes. I don’t care if you steal them or not; she doesn’t wear the same thing twice anyway.
Come back outside now, and make sure you lock the door, and see if you can find the bathroom in the hallway on your way out. I’m going to pass the narration back to the third person, so just tap me on the shoulder when you get here.
Faith has now arrived. It is in a grimy hole somewhere deep, and dark, and scary–exactly the place that all these kids’ parents would tell them to steer away from. It is not Disneyland. And, yet, it is Disneyland, because every speck of chipped paint has been carefully attuned to make people chipper.
Oh, I’m glad you are back. I’d like to go and get some pizza or some inexpensive Indian food if you don’t mind. Would you like to come with me? Faith is carrying on somewhere, and she won’t be back until it is clear that she is protected by something to hide her away until the perfect thingy takes her out of her closet sized rip-off into something over here or over there that the dude could obviously afford better. I do feel sorry, though, because she cannot walk into that ratty donut shop–she’s scared.
Faith tells someone she resents this presentation of her. I want to tell her that I only did it to see if there are fewer spelling mistakes in a longer piece of text like this, but I promised you I wouldn’t talk to her in this story, so she can go have her fun, and I’ll have mine. Mine will last longer.